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The Masks We Wear

by Thad­deus Ressler

The world is a scary place, but masks offer us armor against expos­ing our true selves. Psy­chol­o­gist talk about the con­stel­la­tion of per­son­al­i­ties that make up who we are. These are just masks though. We put on a dif­fer­ent face at work than the fun one we put on for friends, or the more inti­mate one we put on for lovers. Dif­fer­ent ways of pre­sent­ing our­selves, dif­fer­ent ways of address­ing the world and how we’re being per­ceived by it. There are fig­u­ra­tive masks like these and then there are lit­er­al masks.

Masks have been a part of human­i­ty for as long as humans have been human. They allowed witch doc­tors to embody deities that pro­tect­ed the vil­lage, or end­ed the drought. Actors use them to cre­ate char­ac­ters and enhance sto­ry­telling, not to men­tion bring­ing mon­sters and demons to life. And some­times they’re sim­ply for fun, like in the case of Hal­loween, a cos­tume par­ty, or a parade.

San Luis Poto­sí has an entire muse­um ded­i­cat­ed to the mask, The Museo Nacional de La Más­cara. A build­ing that weaves through two sto­ries of masks start­ing with ancient bur­ial masks and end­ing in the masks used in Car­ni­val pro­ces­sions. They spend most of the time focused on Mex­i­can masks, but there is an “inter­na­tion­al room.”

The masks of the ancients were made from wood, clay, leather, stone, real­ly any sub­stance or com­bi­na­tion of sub­stances that would form the shapes they need­ed. These masks could include spe­cial­ty items like feath­ers, pre­cious stones, teeth (both human and ani­mal), bones, antlers, shells, or any­thing that made ‘em feel gid­dy. The masks were used to con­fer fer­til­i­ty, pro­tec­tion, abun­dance, good luck for them and bad luck for oth­ers. They could be used to call down the gods to divine infor­ma­tion or dole out jus­tice.

Bur­ial masks were used to present an ide­al­ized ver­sion of the deceased. If you’ve ever been to an open cas­ket funer­al you might under­stand why a mask made of jade might be pre­ferred. In per-His­pan­ic Mex­i­co the funer­ary mask con­veyed their deep rev­er­ence for the dead. The offi­ci­at­ing priest would per­form rit­u­als wear­ing the mask and then place the mask on the dead. The jade used in the masks was con­sid­ered valu­able and made a wealth state­ment, but it was also meant to con­fer immor­tal­i­ty, ward off evil spir­its and help them on their jour­ney into the after­life.

Funer­ary masks are all well and good, but those tend­ed to be reserved for VIP’s. One of the more popular types of rit­u­al masks of the ancients were those of ani­mals, intend­ed to help the wear­er embody the char­ac­ter­is­tics of an ani­mal. There’s the clas­sic Eagle War­riors like the one to the right. Oth­er war­riors might try to embody the fierce­ness of the Tecuani, or beasts that eat, like the jaguar or wolf. Or maybe to take on the clev­er­ness of a mon­key, or the night vision of a bat. God knows what this guy(right) is sup­posed to be, but I’ll tell you if I saw him run­ning at us with that sword over his head, good luck catch­ing up to me.

Mex­i­cans being Mex­i­cans though, the broad­est cat­e­go­ry is most like­ly the cel­e­bra­to­ry and pro­ces­sion­al masks. Solemn is a word that exists in Mex­i­co, but from what I’ve seen pub­licly, it embod­ies a dif­fer­ent con­no­ta­tion than what we think of in the Unit­ed States. Danc­ing and loud music seems to accom­pa­ny even the solemn pro­ces­sions. While the peo­ple may walk qui­et­ly there are almost always trum­pets and drums lead­ing the way. In these parades and fes­ti­vals you will often find peo­ple wear­ing masks of all types.

I got to see The Dan­zas De Los Vieji­tos(right), or dance of the lit­tle old men, on the streets of Patzcuaro in Michoacán. Their smil­ing pink masks with white eye­brows are almost as much fun as the broad brimmed hats and clack­ing dance that the young men inside the cos­tumes do.

There’s a vari­ety of non-com­bat relat­ed ani­mal masks too. Including(left) bull masks and a “fish:” mask. If the sheer num­ber of them on the walls counts for any­thing bats have got to be their favorite ani­mals. There’s even a “La Dan­za de los Mur­ciéla­gos,” or dance of the bats, which sym­bol­izes the hunter, close­ness with nature and the nat­ur­al world. In a land of many insects, bats would be seen as helpers and pro­tec­tors.

 

 

Then of course there are the myr­i­ad of dev­il masks that come from all over and rarely have any more sig­nif­i­cance than they would to an Amer­i­can dur­ing Hal­loween. Except that the masks that Mex­i­cans use are not the cheap lit­tle plas­tic dol­lar store types that you don’t remem­ber.

These are far more intri­cate and inter­est­ing than any­thing you could buy in a store. The dev­il is real here and they do take him seri­ous­ly. I will say that they are some of my favorite masks. Some­thing about the immense cre­ativ­i­ty that goes into them real­ly makes me smile, I am a hea­then though.

 

 

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